For her presentation in Milan, Marina Rosenfeld brought her own palette of sounds into confrontation with the subtle colorations of the soundscape of Standard.
In collaboration with the artists’ organization ALMARE, Rosenfeld produced a new suite of dub plates reimagining the tones and acoustic singularities of the performance site.
In keeping with her history of creating temporary and spontaneous ‘orchestras’— improvising ensembles foregrounding the social relations of participants with each other and their surroundings—she included collaborators from the Nuova Accademia di Belle Arti in her concert.
Using the new dub plates as material, the players investigated together the potential to reproduce by hand an improvised account of the architecture of their surroundings. . .